Since the release of the beloved "Lucifer
Incestus" in 2003 BELPHEGOR's stock has risen across the globe,
signing to Nuclear Blast, becoming a known quantity with more than
just the cave dwellers, and spending some quality time with American
audiences. The Austrian blasphemers demonstrated progression on "Goatreich-Fleshcult"
and "Pestapocalypse VI", yet retained the blasting mayhem
for which they are known, as well as the overt aggression and Satanic
obsession that makes their albums so endearing. That is also what
makes "Bondage Goat Zombie" such a nefariously fun filled
ride. While some may see the cover art and over the top lyrical fare
of songs like "Shred for Sathan" as a tad on the ridiculous
side, fans and those with a sense of metal spirit realize that BELPHEGOR
keeps getting it right. With a concept inspired by Marquise De Sade
and lyrics again sung in English, German, and Latin, "Bondage
Goat Zombie" works on several levels.
The fact is that BELPHEGOR have become pretty darn good songwriters.
This is some of the better black/death metal that you'll hear today.
"Bondage Goat Zombie" offers a smart mix of skin flaying
scorchers and slower paced grinders, while injecting both personality
and compositional coloration. Songs like the "Stigma Diabolicum",
"Armageddon's Raid", and the title track slash and burn
with the best of them, yet melody is far from an afterthought these
days, and that includes the band's adeptness at writing great minor-note
guitar harmonies. Don't be mistaken though, this is not the stuff
of adult contemporary radio. The guitars cut deep and the drumming,
even when not blasting, is fierce.
The band continues its fascination with the insatiable, S&M-driven
sexual practices of the dark lord with "Sexdictator Lucifer",
a song that slithers across the ground like a snake and works well
as a kind of break between the album's two "halves." Some
obligatory moans of passion from the fairer sex of course make their
way into the cut. After the no-nonsense rip of "Shred for Sathan"
the group hits with the mid-paced and well-written "Chronicles
of Crime", one that is notable for some rather NILE-esque harmonies.
Things get quite spooky with the disc's last two tracks, "The
Sukkubus Lustrate" and "Der Rutenmarsch", which is
more of a two-part epic than two separate tracks. The former is
a bone chilling and somber, slow tempo number that features a diabolical
vocal changeup that may very well have you sleeping with the light
on. Bleeding into "Der Rutenmarsch", the dread and mournfulness
continue with choral effects and a closing segment that is as creepy
as anything BELPHEGOR has ever recorded.
BELPHEGOR can rest easy knowing that they've created another glorious
ode to the horned guy that lives down south, not that they ever
gave a shit about your thoughts anyway. Metal to the bone and black
as night, "Bondage Goat Zombie" does not disappoint.
8/10 Scott Alisoglu Blabbermouth UK |